Illusion and Identity in Atwood’s Essay Example for Free

Deception and Identity in Atwood’s Essay Personality in Atwood’s â€Å"This is a Photograph of Me† In her sonnet â€Å"This is a Photograph of Me,† creator Margaret Atwood utilizes symbolism and differentiation to investigate issues of fantasy versus reality just as character. The sonnet is part into equal parts. The primary half contains expressive words about landscape and regular articles, and the subsequent half, encompassed by brackets, starts with the startling astonishment that the storyteller is dead. The sonnet opens with a portrayal of an image that from the start appears to be hazy however gradually comes into center, similar to a photo gradually creating, that even looks like a composed sonnet itself (â€Å"blurred lines and dark specks/mixed with the paper. †) The second and third refrains proceed to portray objects in the image, including a â€Å"small outline house,† a â€Å"lake,† and â€Å"some low slopes. † The principal half has a suggestive and clear tone, dishonestly driving the peruser alongside tranquility. However, even here, there is a cover of riddle, with a portrayal of a â€Å"branch,† as well as of â€Å"a thing that resembles a branch,† and the house is â€Å"halfway up/what should be a delicate slope,† not most of the way up a delicate incline. What could this mean? The quiet but secretive serenity of the principal half finishes with the fourth stanza’s shaking presentation, starting with an initial enclosure, that the photo the storyteller is depicting â€Å"was taken/the day after [she] suffocated. The pace of the sonnet after this disclosure appears to be hysterical, looking for the storyteller in the lake, which was in the principal half depicted as being â€Å"in the background† and now â€Å"in the inside/of the image. † The storyteller tells the peruser that what can be seen is misshaped and one must look eagerly, playing with the subjects of deception and character. Maybe the uncertainty of the sonnet and the investigation of de ception and character are indicating a women's activist point of view that a woman’s genuine soul is cloudy by a male-ruled society. Or then again maybe the poem’s center is escaping to a progressively widespread human quest for character, a with a storyteller who is uncertain and clouded, yet â€Å"just under the surface,† going to break out †beforehand dead yet now renewed, to locate another way. Or on the other hand maybe the creator is discussing verse or writing itself and the author’s shrouded goals hiding in the work. As noted before, the portrayal of the â€Å"photograph† toward the start looks like a depiction of a sonnet: â€Å"blurred lines and dark bits/mixed with the paper,† like lines of composing and the letters containing words. The creator kicks the bucket with the introduction of her sonnet, when the piece lives all alone; yet the creator is still there, some place, her aims a key piece of the content. The photo in the sonnet, in the primary half, is depicted as â€Å"smeared† and â€Å"blurred† and in the second half there is still â€Å"distortion. † So as opposed to revealing the narrator’s story and personality, no goals is evident. Despite what might be expected, the photo makes fantasy and clouds personality. The peruser is left with vulnerability, much the same as the obscured and misshaped photo of the sonnet.